Let’s be clear: no one in this industry owes you anything. Harsh? Maybe. True? Absolutely. At Broken Drift, we tell comics over and over—if your networking approach is “Hey, book me,” followed by an unsolicited reel in someone’s inbox, you’re not networking. You’re just cold-calling without context. And bookers aren’t buying what you’re selling, especially

If your material is solid but your momentum is stuck, Camille Cagua is the bridge. She’s the Content Creation Lead for Broken Drift, the Comedian Education Director across all Mic Drop properties, and a go-to writing coach at Comedy Camp. She helps comics clarify their voice, elevate their material, and craft a strategy that works

Let’s cut to the chase: if you think you’ve outgrown comedy camp, you haven’t. The comics who come to Broken Drift’s quarterly camps aren’t newbies trying to figure out what a “tight five” is. They’re working comics. Touring comics. TV-credit comics. They show up because our camps aren’t about theory—they’re about leveling up. Fall Camp

If you’re a comic with big ideas but no clue how to execute them, Hillary Hutson is your secret weapon. As the Creative Director of Broken Drift Productions, CEO of Mic Drop Comedy, and Executive Producer of the Big Pine Comedy Festival, Hillary doesn’t just coach comics—she builds platforms for them to thrive on. What

If your entire social media strategy is slapping your face onto a JPEG flyer and adding “DM for guest list” every Thursday, we have a problem. And the problem is: nobody cares. Flyers are announcements, not content. In 2025, social media isn’t optional—it’s the digital handshake, business card, and audition reel, all rolled into one

Brian Kearley is the person comics go to when they’re ready to get their career out of neutral. Whether you’re overwhelmed by bookings, confused about next steps, or still sending out an email that says “I’ve been doing comedy for 6 years…”—Brian’s here to fix that. He’s the comic’s GPS: part coach, part talent manager,

Let’s start with a painful truth: your jokes about your ex, Uber drivers, and how broke you are? They’re fine. Totally fine. But also? They could have been told by 800 other comics this week—200 of them at the same open mic as you. If your jokes could be transferred to another performer without losing